To keep him from doing so, Clarke locks him up, calling to mind the way Pike ran things. Jasper discovers Clarke’s list of 100 names and wants to expose the truth. Instead, I’m choosing to see her death as yet another one of her grandiose, badass stunts.Īside from the whiplash of Octavia’s non-death, “A Lie Guarded” isn’t the most thrilling episode. So when Octavia somehow miraculously woke up on a riverbank and mounted her horse at the end of this episode, I temporarily set aside those pesky questions of believability. Kill off most of the named members of Trikru, and it’s hard to be invested in the clan’s on-and-off relationship with Skaikru. But season three hit a sadistic peak that called into question whether the writers knew exactly why viewers were interested in the show’s central conflict. Every death reverberated throughout the narrative. It’s unabashedly romantic at times.Ī high death toll of named characters alone does not automatically make a show serious or prestige, and for a while, The 100 clearly understood that.
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This show tackles themes of power, war, morality, and loyalty in remarkably sharp and layered ways, but underneath it all, there’s an emotional sincerity that makes it tonally unique. Because of its place on the CW and its ensemble of mostly teens, The 100 could easily be dismissed by haters as a silly reduction of Game of Thrones (or Battlestar Galactica, with which it also shares many similarities). One of the first ways The 100 stood out was by having more heart and earnestness than most epic shows while being just as serious and high-stakes. They were gratuitous, manipulative deaths - especially Lexa’s, which happened mere moments after she and Clarke had their heavily promoted sex scene. But Lexa and Lincoln’s deaths were marked with the kind of sadism more readily found on a war show like Game of Thrones. In order for it to be a meaningful and believable war story, characters must die. With the back-to-back deaths of Lexa and Lincoln last year, I feared the show was losing sight of its strengths. To cut that character arc short by shoving the character to her death amid a crucial turning point would undercut all the brilliant work The 100 has done with Octavia this season. Her love for Lincoln - and his love for her - first allied her with Trikru. But Octavia has always been driven by different forces. Power, fear, and the burden of leadership once corrupted Kane and Jaha now, those same forces corrupt Clarke and Bellamy. He even invokes Lincoln’s name while explaining to her that a warrior knows when not to kill. Kane is skeptical enough to take her off of his security detail at the beginning of the episode, cautioning her against the dark path she is heading down. Her arc this season has been on a fascinating course: She is finally the warrior Indra pushed her to be, even as Indra herself has begun to doubt Octavia’s murderous ways. So in those minutes where I believed Octavia to be dead, I seethed.
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#THE 100 SEASON 6 EPISODE 4 TV#
My TV mantra is to never trust an offscreen death, especially on a genre show like The 100.
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Now, if we hadn’t seen her lifeless body floating away, I probably wouldn’t have so readily fallen for it. Looking down at the red and brown blur carried away by the current, Echo utters the words that always signify death on this show: “Your fight is over.” Shocked that she has lost, she stumbles backward and falls off a staggering cliff into the rushing water below. Although Octavia takes out the two horsemen with ease, her fight with Echo ends with a blade through Octavia’s body. Roan ordered Echo to take Octavia alive, but the hardened warrior is not the kind to go without a fight. In the wake of Ice Nation’s latest declaration of war against Skaikru and Trikru, Echo, flanked by two Azgedan warriors, traps Octavia at the edge of a cliff. Her plummet off a cliff has all the markers and intensity of a death scene. Eliza Taylor as Clarke, Isaiah Washington as Jaha.įor seven whole minutes during tonight’s episode, The 100 had me convinced that Octavia Blake was dead.